Dutch-born Canadian Painter, 1815-1872 Canadian painter of Dutch birth. He learnt the rudiments of music and painting from his father and about 1830 attended the Akademie der Bildenden Kenste in D?sseldorf. He moved to America c. 1835 and enlisted in the US army. In New York he met Louise Gauthier, a French-Canadian, and settled in Montreal with her in 1840, working as a painter and a musician. In 1842-3 he had a studio in Rochester, NY; in the following year he studied in Paris, making copies in the Louvre. Returning to Canada in 1845, he painted portraits in Toronto, and from 1845 to 1853 he lived in Longueuil and then in Montreal, where he produced genre paintings, landscapes and portraits. He exhibited in Montreal and Toronto, and a series of lithographs were published after his drawings. However, he found it difficult to sell his work in Montreal and had to resort more or less completely to sign-painting for a living. About 1853, at the instigation of the auctioneer John Budden, Krieghoff settled in Quebec City. He lived there for 11 years, making several trips to Europe. During this period of intensive production, he achieved popularity and prosperity and painted his best-known pictures, which were scenes depicting the local townspeople and the North American Indians, and views of Quebec City and the surrounding region. About 1858 he made panoramic paintings of Canada for the Provincial Parliament buildings in Quebec. From 1864 to 1867 he lived in Paris and Munich,   Related Paintings of Cornelius Krieghoff :. | A Winter Scene | The Blacksmith s Shop | Winter Landscape Laval | Winter Landscape | The Ice Bridge at Longue-Pointe |
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Thomas Hickey
was an Irish painter. Born in Dublin, Hickey was the son of Noah, a confectioner in Capel Street, and Anne Hickey. A younger brother was John Hickey, the sculptor. He was trained at the Royal Dublin Society schools under Robert West. Hickey painted primarily portraits and genre scenes. He traveled widely, working in India, Portugal, Italy and England, residing in Bath between 1776 and 1780. On his voyage to India, the vessel in which he was travelling was captured by French and Spanish fleets which led him to Lisbon, where, after receiving a number of commissions, he remained for several years. He eventually reached Bengal and stayed there until 1791 when he returned to England. He then traveled as far as Peking, China with George Macartney, 1st Earl Macartney as the expedition's official portrait painter. He returned to Ireland shortly after the death of his brother John in January 1796. In 1797, he was commissioned by Dr. Robert Emmet, State Physician for Ireland, to paint a portrait of the doctor's son, Robert, and daughter, Mary. By 1798 he had returned to India where he landed just in time for the start of the Fourth Mysore War, which kept him engaged in painting. He resided in Madras until his death in 1824. In addition to his artistic talents, he is reputed to have been a sparkling conversationalist who rarely failed to charm his sitters. The Courtauld Institute of Art (London), the Honolulu Academy of Arts, the National Gallery of Ireland, the Tate and the Victoria Art Gallery (Bath, England) are among the public collections having paintings by Thomas Hickey.
Salomon Rombouts
Dutch Baroque Era Painter, ca.1650-1702
David Teniers the Younger
(December 15, 1610 C April 25, 1690), a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonne) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637.